In addition to contributing significantly to the growing field of Burroughs scholarship, Burroughs Unbound also directly engages with the growing fields of textual studies, archival research, and genetic criticism, asking crucial questions thereby about the nature of archives and their relationship to a writer's work. These questions about the archive

The Spiritual Imagination of the Beats is the first comprehensive study to explore the role of esoteric, occult, magical, theosophical, Gnostic, Hindu and Buddhist traditions in the work of eleven major Beat authors. The opening chapter discusses Kenneth Rexroth and Robert Duncan as predecessors and important influences on the spiritual

Mexico features prominently in the literature and personal legends of the Beat writers, from its depiction as an extension of the American frontier in Jack Kerouac’s On the Road to its role as a refuge for writers with criminal pasts like William S. Burroughs. Yet the story of Beat literature

William S. Burroughs Cutting Up the Century is the definitive book on Burroughs’ overarching cut-up project and its relevance to the American twentieth century. Burroughs’s Nova Trilogy (The Soft Machine, Nova Express, and The Ticket That Exploded) remains the best-known of his textual cut-up creations, but he committed more than

In 1970, William S. Burroughs and artist Malcolm McNeill began a small collaborative project on a comic entitled "The unspeakable Mr. Hart", which was to be followed up by a project entitled "Ah Pook is here". Ah Pook was never finished in its intended form. In 1979 a prose collection