Those who hastily apply the term film noir to the Mann crime pictures, with their high contrast cinematography balancing hard lighting and deep shadows, risk arousing academic ire. Arguments persist over how precisely to define classic ...
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Language: en
Pages: 324
Pages: 324
Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying
Language: en
Pages: 406
Pages: 406
Fifty Hollywood Directors introduces the most important, iconic and influential filmmakers who worked in Hollywood between the end of the silent period and the birth of the blockbuster. By exploring the historical, cultural and technological contexts in which each director was working, this book traces the formative period in commercial
Language: en
Pages: 214
Pages: 214
Classic study of a filmmaker's career, now including every Mann film. Back in print—new and expanded edition. Director of such often-revived films as Winchester '73, The Glenn Miller Story, and El Cid, Anthony Mann enjoyed a lasting and important career as one of Hollywood's premier filmmakers. Mann's Westerns, noir pictures,
Language: en
Pages: 190
Pages: 190
Devoted to his craft--sometimes to the detriment of his reputation--cinematographer John Alton (1901-1996) was sought after by such directors as Vincente Minnelli, Richard Brooks and Anthony Mann but was disdained by others of comparable talent. An auteur in the truest sense, Alton established a landmark body of work described by
Language: en
Pages: 328
Pages: 328
'Showing and Telling' is the first academic work to explore how publicly funded film heritage institutes account for their mandate in their public activities. It does that by inspecting and evaluating public presentations and visitor information about these presentations. The research was done by juxtaposing two complementary approaches. The first