Medievalism and Nationalism in German Opera

Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century.1 Just a cursory look at the works of early nineteenth-century German ...

Medievalism and Nationalism in German Opera

Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.

More Books:

Medievalism and Nationalism in German Opera
Language: en
Pages: 200
Authors: Michael S. Richardson
Categories: Music
Type: BOOK - Published: 2020-11-29 - Publisher: Routledge

Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping
Medievalism and Nationalism in German Opera
Language: en
Pages: 186
Authors: Michael S. Richardson
Categories: Music
Type: BOOK - Published: 2020-11-29 - Publisher: Routledge

Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping
The Oxford Handbook of Music and Medievalism
Language: en
Pages: 776
Authors: Stephen C. Meyer, Kirsten Yri
Categories: History
Type: BOOK - Published: 2020-03-13 - Publisher: Oxford University Press, USA

The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of
Staging the Nation: Opera and Nationalism in 19th-Century Hungary
Language: en
Pages: 188
Authors: Krisztina Lajosi
Categories: History
Type: BOOK - Published: 2018-03-22 - Publisher: BRILL

In Staging the Nation: Opera and Nationalism in 19th-Century Hungary, Krisztina Lajosi examines the crucial role of theatre and opera in the shaping of historical consciousness and the formation of national identity by turning opera-loving audiences into a national public.
Correspondences
Language: en
Pages: 243
Authors: T. A. Shippey, Martin Arnold
Categories: Literary Criticism
Type: BOOK - Published: 2005 - Publisher: DS Brewer

Articles centred on the use made by European nations of medieval texts and other artefacts to define their history and origins.