Empirical Studies into Film Spectators and Spectatorship CarrieLynn D. Reinhard, Christopher J. Olson ... What does it mean to understand a film, to engage with a movie, to interpret a motion picture, to make sense of cinema?
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Language: en
Pages:
Pages:
Language: en
Pages: 288
Pages: 288
There are a variety of theoretical and methodological approaches to researching how film spectators make sense of film texts, from the film text itself, the psychological traits and sociocultural group memberships of the viewer, or even the location and surroundings of the viewer. However, we can only understand the agency
Language: en
Pages: 256
Pages: 256
Mind-game films and other complex narratives have been a prominent phenomenon of the cinematic landscape during the period 1990-2010, when films like The Sixth Sense, Memento, Fight Club and Source Code became critical and commercial successes, often acquiring a cult status with audiences. With their multiple story lines, unreliable narrators,
Language: en
Pages: 334
Pages: 334
David Bordwell's new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be
Language: en
Pages: 228
Pages: 228
German film in the Wilhelmine and Weimar periods is regarded as marked by a strong sense of cultural conservatism and the aspiration to be recognized as an art form. This book takes an alternative approach to the history of German cinema from the emergence of the early feature film to