While the movement theatre artist and the pantomimist are mainly concerned with the use of movement, the stage and screens actor's craft comprises voice (a portion of the body) and gesture, that of the dancer of dance and expressive ...
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Language: en
Pages: 342
Pages: 342
"In 'Bringing the Body to the Stage and Screen, ' Annette Lust provides stage and screen artists with a program of physical and related expressive exercises that can empower their art with more creativity. In this book, Lust provides a general introduction to movement, including definitions and differences between movement
Language: en
Pages: 288
Pages: 288
The Routledge Companion to Actors’ Shakespeare is a window onto how today’s actors contribute to the continuing life and relevance of Shakespeare’s plays. The process of acting is notoriously hard to document, but this volume reaches behind famous performances to examine the actors’ craft, their development and how they engage
Language: en
Pages: 696
Pages: 696
Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty
Language: en
Pages: 277
Pages: 277
This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how
Language: en
Pages:
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